Player Piano, published in 1952, was Vonnegut's first novel and is notable for this reason alone, perhaps. Here he writes of a future society in which machines replace people (without any regard to the fate of mankind), indifferent to human consequence. This is a book that warns about technological overkill. Kurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century.
Player Piano (1952), Vonnegut’s first novel, embeds and foreshadows themes which are to be parsed and dramatized by academians for centuries to come. His future society--a marginal extrapolation, Vonnegut wrote, of the situation he observed as an employee of General Electric in which machines were replacing people increasingly and without any regard for their fate--is mechanistic and cruel, indifferent to human consequence, almost in a state of merriment as human wreckage accumulates. Paul Proteus, the novel’s protagonist, is an engineer at Ilium Works and first observes with horror and then struggles to reverse the displacement of human labor by machines.
Ilium Works and Paul’s struggles are a deliberately cartoon version of labor’s historic and escalating struggle to give dignity and purpose to workers. The novel embodies all of Vonenegut’s concerns and what he takes to be the great dilemma of the technologically overpowered century: the spiritual needs of the population in no way serve the economies of technology and post-technology. Vonnegut overlies this grotesque comedy over tragedy, disguising his novel in the trappings of goofiness.
Not published--at Vonnegut’s insistence--as science fiction, the novel was nonetheless recognized and praised by the science fiction community which understood it far better than a more general readership, a dilemma which Vonnegut resentfully faced throughout his career. Bernard Wolfe’s dystopian Limbo and Player Pianowere published in the same year to roughly similar receptions; two "outsiders" had apotheosized technophobia as forcefully as any writer within the field. Throughout his career, Vonnegut was forced to struggle with his ambivalence about science fiction and his own equivocal relationship with its readers.
Kurt Vonnegut is a unique voice in the American canon—a writer whose works are hard to categorize, often straddling the space between literature and science fiction, and filled with cutting satire and dark humor. Like Mark Twain before him, Vonnegut's reputation and impact on American writing and reading will continue to grow steadily and increase in relevance as new insights are made.Vonnegut was born in 1922 in Indianapolis, and studied at the University of Chicago and the University of Tennessee. In the Second World War, he became a German prisoner of war and was present during the bombing of Dresden. This experience provided inspiration for his most successful and influential novel, Slaughterhouse-Five. Vonnegut—admired as much for his views and his "Vonnegutisms" as for his publications—wrote extensively in many forms, including novels, short stories, essays, plays, articles, speeches, and correspondence, some of which was published posthumously.A lifelong friend of Kurt Vonnegut’s, Dan Wakefield both edited and wrote the Introduction to the bestselling collection of Vonnegut's personal correspondence, Kurt Vonnegut: Letters. In addition, Wakefield is the author of the memoir New York in the Fifties, which was made into a documentary film, as well as Returning: A Spiritual Journey. He created the NBC prime time series "James at Fifteen" and wrote the script for the movie based on his novel Going All The Way, starring Ben Affleck.
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