Here, Kurt Vonnegut's final short story collection - Bagombo Snuff Box (1999) - we have combined early and rather more obscure stories which had not appeared earlier. Drawn largely from the 1950s and the slick magazine markets which Vonnegut had from the beginning of his career in the postwar period demonstrated an uncanny ability to sell, these stories show clearly that Vonnegut found his central themes early on as a writer. Vonnegut's themes - folly, hypocrisy, misunderstanding - cycle through these stories although with perhaps somewhat less bitterness than what had come before.
Here, Kurt Vonnegut’s final short story collection--Bagombo Snuff Box (1999)--we have combined early and rather more obscure stories which had not appeared earlier. Drawn largely from the 1950s and the slick magazine markets which Vonnegut had from the beginning of his career in the postwar period demonstrated an uncanny ability to sell, these stories show clearly that Vonnegut found his central themes early on as a writer. More, he had been able to place stories in great consumer magazines like Colliers (that his good friend and college classmate Knox Burger was editing Colliers during this time was perhaps no small factor in Vonnegut’s success). There were only a handful of science fiction writers of Vonnegut’s generation who were able to sell in such a broad manner outside of the genre during the ‘50s, but it was this success that allowed Vonnegut the consistent denial that he was not a science fiction writer at all.
Vonnegut’s themes--folly, hypocrisy, misunderstanding--cycle through these stories although with perhaps somewhat less bitterness than what had come before. Even through the screen or scrim of magazine taboos, Vonnegut’s voice is singular, infused by disaffection and wit. Most of Vonnegut’s characters stagger through the plot full of misapprehension, cowardice, and self-delusion. In "Thanasphere," the achievement of space travel becomes a means of communicating with the dead (and for that reason the project is abandoned). In "Mnemonics," a forgetful protagonist is given a drug that prompts him to remember everything with the exception of an unrequited crush. This late collection of Vonnegut’s work clearly shows the unifying themes of his work, which were present from the very outset, among them, his very despair.
Kurt Vonnegut is a unique voice in the American canon—a writer whose works are hard to categorize, often straddling the space between literature and science fiction, and filled with cutting satire and dark humor. Like Mark Twain before him, Vonnegut's reputation and impact on American writing and reading will continue to grow steadily and increase in relevance as new insights are made.Vonnegut was born in 1922 in Indianapolis, and studied at the University of Chicago and the University of Tennessee. In the Second World War, he became a German prisoner of war and was present during the bombing of Dresden. This experience provided inspiration for his most successful and influential novel, Slaughterhouse-Five. Vonnegut—admired as much for his views and his "Vonnegutisms" as for his publications—wrote extensively in many forms, including novels, short stories, essays, plays, articles, speeches, and correspondence, some of which was published posthumously.A lifelong friend of Kurt Vonnegut’s, Dan Wakefield both edited and wrote the Introduction to the bestselling collection of Vonnegut's personal correspondence, Kurt Vonnegut: Letters. In addition, Wakefield is the author of the memoir New York in the Fifties, which was made into a documentary film, as well as Returning: A Spiritual Journey. He created the NBC prime time series "James at Fifteen" and wrote the script for the movie based on his novel Going All The Way, starring Ben Affleck.
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