Richard Matheson (1926-2013) was a prolific speculative fiction author and screenwriter who wrote novels, short stories, movie screenplays, and scripts for television. He is perhaps best known for I Am Legend, a novel that was translated to the silver screen twice-once starring Charlton Heston, and once starring Will Smith. His screenplay The Incredible Shrinking Man, based on a prior novel, won the Hugo Award in 1958. Several other novels of Matheson's have been adapted to film, including What Dreams May Come, A Stir of Echoes, Duel, and Hell House. The movie version of Duel, based on a Matheson short story of the same name, was directed by Steven Spielberg. He is also known for writing dozens of episodes for The Twilight Zone, including the iconic "Nightmare at 20,000 Feet," and several popular Star Trek episodes, including "The Enemy Within."
In addition to the Hugo Award, Richard Matheson was the recipient of the World Fantasy Award for Life Achievement (1984) and an Edgar Award for a teleplay written for The Night Stalker. He was inducted into the Science Fiction Hall of Fame in 2010.
From Richard Matheson, author of I Am Legend, comes a four-book bundle of his best thrillers. Revenge, murder, and horror abound in these stories of speculative fiction as the dark side of humanity is explored.
I Am Legend: Sometimes referred to as the modern world’s first vampire novel, I Am Legend was the original inspiration for the film Night of the Living Dead, which spawned the zombie genre of films and literature. Telling the story of the last surviving man in Manhattan after a deadly pandemic that turned people into blood-sucking zombies, it’s a fascinating introduction to horror, zombie, and vampire genres.
Someone Is Bleeding: Young novelist Dave Newton is instantly smitten when he meets blonde, beautiful Peggy. But Peggy has a past full of abuse and terror—and she’s involved with Jerry, a lawyer with mob connections and an old rival from Dave’s college days. Soon, Dave finds himself caught in a love triangle with Peggy and Jerry, desperate to win her affections. But when corpses begin to pile up in Peggy’s wake, Dave must face the truth that either Jerry is a mass murderer—or Peggy is.
Ride the Nightmare: At 32, Chris Martin lives a conventional life. He’s married with a daughter, runs his own small business, and is working to save up money for a bigger home with his wife, Helen. He is happy and content with this staid but comfortable existence—until a secret from his past threatens to undo everything he has built.
Fury on Sunday: In the early hours of a Sunday morning, lunatic pianist Vincent Radin escapes from an insane asylum and sets out on a revenge-fueled rampage. His aim is to find the two people who have hurt him most—his erstwhile manager and his lover’s new husband—and end their lives.
The work The Link began as a 557-page outline that Richard Matheson wrote for a proposed twenty-hour ABC mini-series in the late 1970s. The ABC executives asked Matheson to shorten the series into seven hours but after Matheson had written three hours of the series, the two parted company. Matheson’s original vision could not be condensed without destroying the essence of the plot and characters. Here in The Link is the original outline, in narrative form, in publication for the first time.
The story follows Robert Allright as he explores his own demons as well as those of psychics past as he also struggles to decipher his father’s dying wish to explore an archeological dig in Arizona. Allright’s only clue is the mystifying crystal that his father believes is the key to a great discovery.
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