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The Lords of Discipline
 About the Book
About The Movie
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Preview
Prologue
I wear the ring.
I wear the ring and I return often to the city of Charleston, South Carolina, to study the history of my becoming a man. My approach to Charleston is always silent and distracted, but I come under full sail, with hissing silk and memories a-wing above me in the shapes of the birds I love best: old brown pelicans, Great Blue herons, cowbirds, falcons lost at sea, ospreys lean from dives, and eagles over schools of mullet. I am a lowcountry boy. My entrance to this marsh-haunted city is always filled with troubled meditations on both my education and my solitude during a four-year residence at the Institute.
The city of Charleston, in the green feathery modesty of its palms, in the certitude of its style, in the economy and stringency of its lines, and the serenity of its mansions South of Broad Street, is a feast for the human eye. But to me, Charleston is a dark city, a melancholy city, whose severe covenants and secrets are as powerful and beguiling as its elegance, whose demons dance their alley dances and compose their malign hymns to the side of the moon I cannot see. I studied those demons closely once, and they helped kill off the boy in me.
I am not a son of Charleston. Nor could I be if I wanted to. I am always a visitor, and my allegiance lies with other visitors, sons and daughters of accident and circumstance. Edgar Allan Poe was a son by visitation. It was no surprise to me when I was a freshman at the Institute to discover that Poe was once stationed at Fort Moultrie and that he wrote "The Gold Bug" about one of the sea islands near Charleston. I like to think of him walking the streets of Charleston as I walked them, and it pleases me to think that the city watched him, felt the shimmer of his madness and genius in his slouching promenades along Meeting Street. I like to think of the city shaping this agitated, misplaced soldier, keening his passion for shade, trimming the soft edges of his nightmare, harshening his poisons and his metaphors, deepening his intimacy with the sunless wastes that issued forth from his kingdom of nightmare in blazing islands, still inchoate and unformed, of the English language. Whenever I go back to Charleston, I think of Poe. I remember that Poe spent a single year attending West Point before dropping out in disgrace and beginning his life among words. I wonder how that year in the barracks marked him; I wonder if our markings were similar.
Osceola was another visitor to Charleston. The Seminole chieftain, betrayed by white fags and white man´s honor and brought to prison in Fort Moultrie, died there after a month´s internment, dreaming of tannic-stained creeks flowing through mangrove, flowing north from Florida, through the salt-rusted bars, bringing the heat of council fires, the cries of betrayed warriors, and the shiver of a man returning to the serenity of cypress and safety of otters. Osceola´s bones rested in a grave on Sullivan´s Island until they were stolen in the spring of my sophomore year. I remember hoping that the thief was a full-blooded Seminole who knew where the greatest of his tribe should be put to rest. Shortly after the theft of Osceola´s remains, I found myself in H. R. Rabun´s bar on King Street, surrounded by a group of cadets from R Company, toasting the escape of the chief. In the midst of this, I indulged myself with a vision. I saw myself cutting through the bars of Osceola´s cell, and together we made it back to the swamps, the Indian teaching me the ways of the forest as we traveled southward, giddy with the star-blaze of freedom. My God, it was a beautiful thing to see the Everglades through the eyes of Osceola. But in this vision I had one regret: I would have liked first to have shown him Charleston through my eyes, through the eyes of Will McLean. I, too, had my Charleston cell, and I, too, would have some bones to show him.
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