Undoubtedly Vonnegut’s most influential work, Slaughterhouse-Five tells the satirical story of soldier Billy Pilgrim, captured by Germans and held in a defunct slaughterhouse. Unmoored to a conventional period in history, the events in Pilgrim’s life occur randomly and without a traditional chronological underpinning. His story deals with themes of free will, fate, and the illogical nature of the human mind.
Adapted for a magnificent George Roy Hill film three years later (perhaps the only film adaptation of a masterpiece which exceeds its source), Slaughterhouse-Five (1969) is the now famous parable of Billy Pilgrim, a World War II veteran and POW, who has in the later stage of his life become “unstuck in time” and who experiences at will (or unwillingly) all known events of his chronology out of order and sometimes simultaneously.
Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut’s usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralmafadorians who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).
The “unstuck” nature of Pilgrim’s experience may constitute an early novelistic use of what we now call Post Traumatic Stress Disorder; then again, Pilgrim’s aliens may be as “real” as Dresden is real to him. Struggling to find some purpose, order or meaning to his existence and humanity’s, Pilgrim meets the beauteous and mysterious Montana Wildhack (certainly the author’s best character name), has a child with her and drifts on some supernal plane, finally, in which Kilgore Trout, the Tralmafadorians, Montana Wildhack and the ruins of Dresden do not merge but rather disperse through all planes of existence.
Slaughterhouse-Fivewas hugely successful, brought Vonnegut an enormous audience, was a finalist for the National Book Award and a bestseller and remains four decades later as timeless and shattering a war fiction as Catch-22, with which it stands as the two signal novels of their riotous and furious decade.
ROSETTABOOKS BY KURT VONNEGUT
- Bagombo Snuff Box: Uncollected Short Fiction Read More
- Bluebeard: The Autobiography of Rabo Karabekian (1916–1988) Read More
- Breakfast of Champions Read More
- Cat’s Cradle Read More
- Deadeye Dick Read More
- Fates Worse than Death: An Autobiographical Collage Read More
- Galápagos Read More
- God Bless You, Mr. Rosewater Read More
- Hocus Pocus Read More
- If This Isn’t Nice, What Is?: Advice for the Young Read More
- Jailbird Read More
- Kurt Vonnegut Drawings Read More
- Mother Night Read More
- Palm Sunday Read More
- Player Piano Read More
- Slapstick Read More
- Slaughterhouse-Five Read More
- Sun Moon Star Read More
- The Big Trip Up Yonder Read More
- The Sirens of Titan Read More
- Timequake Read More
- Unready to Wear Read More
- Wampeters, Foma & Granfalloons Read More
- Welcome to the Monkey House Read More