Kurt Vonnegut’s fourth novel, published in 1963, explores themes including religion, technology, and science with a satirical eye. Set mostly in the fictional Caribbean island of San Lorenzo, for which Vonnegut fleshed out a new language, religion, and detailed history, it presents a fascinating example of world-building in a science fiction context.
Cat’s Cradle (1963) is Vonnegut’s most ambitious novel, which put into the language terms like "wampeter", "kerass" and "granfalloon" as well as a structured religion, Boskonism and was submitted in partial fulfillment of requirements for a Master’s Degree in anthropology, and in its sprawling compass and almost uncontrolled (and uncontrollable) invention, may be Vonnegut’s best novel.
Written contemporaneously with the Cuban missile crisis and countenancing a version of a world in the grasp of magnified human stupidity, the novel is centered on Felix Hoenikker, a chemical scientist reminiscent of Robert Oppenheimer… except that Oppenheimer was destroyed by his conscience and Hoenikker, delighting in the disastrous chemicals he has invented, has no conscience at all. Hoenikker’s "Ice 9" has the potential to convert all liquid to inert ice and thus destroy human existence; he is exiled to a remote island where Boskonism has enlisted all of its inhabitants and where religion and technology collaborate, with the help of a large cast of characters, to destroy civilization.
Vonnegut’s compassion and despair are expressed here through his grotesque elaboration of character and situation and also through his created religion which like Flannery O’Connor’s "Church Without Christ" (in Wise Blood) acts to serve its adherents by removing them from individual responsibility. Vonnegut had always been taken seriously by science fiction readers and critics (a reception which indeed made him uncomfortable) but it was with Cat’s Cradle that he began to be found and appreciated by a more general audience. His own ambivalence toward science, science fiction, religion and religious comfort comes through in every scene of this novel.
Kurt Vonnegut is a unique voice in the American canon—a writer whose works are hard to categorize, often straddling the space between literature and science fiction, and filled with cutting satire and dark humor. Like Mark Twain before him, Vonnegut's reputation and impact on American writing and reading will continue to grow steadily and increase in relevance as new insights are made.Vonnegut was born in 1922 in Indianapolis, and studied at the University of Chicago and the University of Tennessee. In the Second World War, he became a German prisoner of war and was present during the bombing of Dresden. This experience provided inspiration for his most successful and influential novel, Slaughterhouse-Five. Vonnegut—admired as much for his views and his "Vonnegutisms" as for his publications—wrote extensively in many forms, including novels, short stories, essays, plays, articles, speeches, and correspondence, some of which was published posthumously.A lifelong friend of Kurt Vonnegut’s, Dan Wakefield both edited and wrote the Introduction to the bestselling collection of Vonnegut's personal correspondence, Kurt Vonnegut: Letters. In addition, Wakefield is the author of the memoir New York in the Fifties, which was made into a documentary film, as well as Returning: A Spiritual Journey. He created the NBC prime time series "James at Fifteen" and wrote the script for the movie based on his novel Going All The Way, starring Ben Affleck.
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