Bluebeard, published in 1987, is Vonnegut's meditation on art, artists, surrealism, and disaster. Meet Rabo Karabekian, a moderately successful surrealist painter, who we meet late in life and see struggling (like all of Vonnegut's key characters), with the dregs of unresolved pain and the consequences of brutality.

Bluebeard, published in 1987, is Vonnegut’s meditation on art, artists, surrealism, and disaster. Meet Rabo Karabekian, a moderately successful surrealist painter, who we meet late in life and see struggling (like all of Vonnegut’s key characters), with the dregs of unresolved pain and the consequences of brutality. Loosely based on the legend of Bluebeard (best realized in Bela Bartok’s one-act opera), the novel follows Karabekian through the last events in his life that is heavy with women, painting, artistic ambition, artistic fraudulence, and as of yet unknown consequence.

Vonnegut’s intention here is not so much satirical (although the contemporary art scene would be easy enough to deconstruct), nor is it documentary (although Karabekian does carry elements of Jackson Pollock and Mark Rothko). Instead, Vonnegut is using art for the same purpose he used science fiction cliches in Slaughterhouse-Five; as a filter through which he can illuminate the savagery, cruelty, and the essentially comic misdirection of human existence.

Readers will recognize familiar Vonnegut character types and archetypes as they drift in and out through the background; meanwhile, Karabekian, betrayed and betrayer, sinks through a bottomless haze of recollection. Like most of Vonnegut’s late works, this is both science fiction and cruel contemporary realism at once, using science fiction as metaphor for human damage as well as failure to perceive. Readers will find that Vonnegut’s protagonists can never really clarify for us whether they are ultimately unwitting victims or simple barbarians, leaving it up to the reader to determine in which genre this book really fits, if any at all.

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Author Description

Kurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.

Vonnegut began his career as a science fiction writer, and his early novels - Player Piano and The Sirens of Titan - were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.

Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.


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